Mechanism of Theme-Formation in a Text as it was Represented by Boris Tomashevsky and Georgij Shengeli (Based on the Works of 1925)
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Mechanism of Theme-Formation in a Text as it was Represented by Boris Tomashevsky and Georgij Shengeli (Based on the Works of 1925)
Annotation
PII
S160578800022749-9-
Publication type
Article
Status
Published
Authors
Sergei I. Gindin 
Occupation: Leading Researcher, Director of the Centre for Text Theory and Linguistic Communicative Support
Affiliation: Russian State University for the Humanities
Address: 6 Miusskaya Sq., Moscow, 125047, Russia
Pages
100-109
Abstract

In the mid-1930s, linguists began to spot problems, which cannot be solved without analysis of textual and discursive phenomena. Up to that moment some of such problems have been already pointed out and considered in the adjacent fields of Humanitarian theory and practice. The article deals with one of such anticipations made simultaneously by prominent Russian theorists Boris Tomashevsky and Georgij Shengeli in their studies of literary composition. They discovered that theme-formation in a text is based on the unity of meanings in neighboring sentences (Tomashevsky) or on semantic interaction of consecutive utterances (Shengeli).

Keywords
theme of a text, mechanism of theme-formation, the unity of sentence meanings, interaction of utterances, analysis of narrative composition, lyric composition, immediate constituents in the structure of a text, similarities and distinctions between Tomashevsky’ and Shengeli’s approaches, the pre-history of textlinguistics and of discourse analisys
Received
11.11.2022
Date of publication
11.11.2022
Number of purchasers
12
Views
497
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0.0 (0 votes)
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References

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